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Showing posts with label StrikeStone. Show all posts
Showing posts with label StrikeStone. Show all posts

Wednesday, December 31, 2014

Chicago Tribune article



Author Stella Atrium: An academic inspired by science fiction

http://fw.to/2ZXICsM



Authors of science fiction and fantasy often ground their writing in real-life history and social issues. Star Hall, a Chicago author who writes under the pen name Stella Atrium, became so immersed in her research for a science-fiction novel about six years ago, she created a DePaul University class out of it.

"It grew out of a novel about displaced persons and going into a culture you don't understand," says Hall, whose pseudonym is a Latin translation of her real name. Hall is an adjunct professor at DePaul, where she has been teaching in the Department of Writing, Rhetoric and Discourse since 2005. At the time, she was researching for "HeartStone," the second book in her Dolvia Saga fantasy series. "In it, people are pushed off their land and received onto the savanna."

Hall has since taught her Global Perspectives on Undocumented Workers in America class every spring. "It changes every time I teach it," she says. "The topic itself changes — it's not like accounting."


The novels Hall has written as Atrium are also richly varied, populated by characters, heritages and embattled environments derived from all corners of the globe. Reviewer Bob Brinkman from Goodreads aptly calls her work, "anthropological fiction set against a sci-fi backdrop." The Dolvia Saga, which includes "SufferStone," "HeartStone" and "StrikeStone," will eventually total six novels ("ClearStone" is coming out next year). And she has a new stand-alone fantasy novel out now called "Seven Beyond."

Always a fan of science fiction, Hall says she started writing in part to shake one dominant trend in the genre. "I would read these books and realize that the heroes were (always) boys," she says. "And that didn't make sense to me. Why write in a genre with such wide open space in cultures but still use an orphan boy as the protagonist?"

Providing the science-fiction genre with female protagonists was Hall's first reason to write, but she didn't just populate her books with stock-character heroes who now happened to be women. She approaches all her plots with the intent to show her readers problems women face in the real world and how they uniquely solve them.

Hall, whose favorite authors include Margaret Atwood, Robin Hobb and Elizabeth Moon, says she always puzzled over the solitude of female characters in typical fantasy or sci-fi books. "In the fantasy genre, women are a member of the team," she says. "She is (often) an unusual foreign woman. We know nothing about her." Looking to upend this trend, Hall makes sure her strong female characters aren't singular. "They know aunts, cousins and sisters and other women in community," she says. "I am very interested in women in groups."


"What impresses me most about Stella's writing is her use of rigorous academic research to inform fantasy," says Peter Vandenberg, professor and chair of Writing, Rhetoric and Discourse at DePaul University. "She has a keen sense of the inseparable relationship between inquiry and good storytelling." He says that Hall's love for research is apparent in her novels — and inspiring in the classroom. "Stella's expertise as a fantasy writer, rhetorician and researcher allows her to help students break through some tired old ideas about the 'creative writer.'"

Kristin Kloberdanz is a freelance writer.
"Seven Beyond"
By Stella Atrium, self-published, 295 pages, 99 cents

Copyright © 2014, Chicago Tribune

Friday, February 14, 2014

Author Interview for New Release SEVEN BEYOND


Marc:  Great to see you again. Did you cut your hair?

Stella:  Hey, Marc… What’s new?

Marc:  I see you have a new release of SEVEN BEYOND pending for March 1. 2014.  The Midwest Book Review paragraphs are flattering, but were dated for 2003.  Is that correct?

 
Stella:  A decade ago, can you believe it?  Seven Beyond was published by a small press that later went bankrupt.  We thought to offer it again – this time worldwide – in the Amazon pool of fantasy ebooks for 99¢.  We can reach Goodreads friends and Twitter friends living in the UK by this method.

Marc:  But why now, when readers are waiting for the release of Book IV of the Doliva Saga?

Stella:  Book IV is titled SignalStone and is ready for the proofreaders.  I was waiting until I had dug into events for Book V, tentatively titled SeaStone, before the release. 

Marc:  Is it hard to let go?

Stella:  Ha, ha… You know me so well. I had a twist ending for SignalStone that I was trying to resolve for each character in the next book.  But the writing is coming along, so I feel ready to spring the surprise.

Marc:  Yes, well… Those are writerly notes that the reader cannot know.  What are you intending with this new release of Seven Beyond?

Stella:  Promoting a fourth book of a series is complicated. What appeal to readers who have only read the first book, or who are just introduced to this writer?  So we thought to offer a stand-alone novel that shows writing style, to win fans who later dig into the Dolvia Saga from name recognition.

Marc:  Seven Beyond is separate from the books already published?

Stella:  Yah, yah.  A separate worldview. Unrelated. Some of my favorite characters I ever developed are in this book. Lady Drasher, especially, whispered in my ear while I was writing, demanding more lines of dialogue and commenting on other characters.  When she started talking to me about characters in a different novel that I was writing, I knew I had to kill her off.

Marc:  Are you giving away the plot?

Stella:  There’s lots of plot to discover. Dr. Meenins is a channeled Longist, meaning he doesn’t remember the 800 years of his life, who must accept his guilty acts in the past before he can lead his race to the new colony to be settled here on Earth.

Marc:  Aliens are among us?

Stella:  We are them, and they are us, and I am the walrus. Koo-koo-kachu.

Marc:  You’re certainly in a good mood today.

Stella:  The ebook cover of Seven Beyond is stellar. And early reviews are positive. But more than that… I put myself into this effort. Seeing it listed on GoodReads and Amazon and the other distributers gives me a feeling of completion. I can like myself now.

Marc:  Well, I certainly enjoyed the book when I read it. Dr. Grammario was my favorite character. What does that say about me?

Stella:  That you read the classics, maybe. 
_______

Purchase 99¢ ebook at Amazon today! 
See BookViral review!




Tuesday, September 3, 2013

Many Thanks

Thanks to all participants of the August 2013 GoodReads giveaway for SufferStone. We had 633 entrees for 18 paperback books.

Watch this space for a new giveaway in October!

Also see:
HeartStone: Book II of the Dolvia Saga
StrikeStone: Book III -- released in July 2013
SignalStone: Book IV -- due out in January 2014
SeaStone: Book V -- under construction

Monday, July 29, 2013

The Power of Names


I believe in writing with specifics. I tell my students all the time: call it by it’s name.  A stand of trees is a different image than a stand of birch trees.

Two recent events, though…

I committed at a radio interview (six weeks from now) that includes a reading.  That is, the author reading from her own works.  I’m not very auditory – I hate talking on the phone, for example.  I attended author readings maybe five times in my life and hated all of them, except once I heard Michael Ondaatje, the author of The English Patient read from his short stories. I’m a sucker for a crisp accent. 

Except, I’m from the American Midwest living in Chicago.  I have no respect for the letter ‘t’.  With us it’s all dese, dems, and dose over dare. What will my reading sound like over the radio?

Moreover, what scene shall I select for the 5-minute spot?  I review chapter one of the new release StrikeStone that is Book III in a series.  The scenes are sharp and push the story along nicely, engaging a reader who maybe has not picked up the first two novels.  Several sentences in the paragraphs, though, are used to identify characters, such as:

I had seldom contacted Kyle Rula, but received messages through the convent turnkey Sarah, and the Cylay administrator Vera who had been a childhood friend.”

The reader catches up with Sarah later, and also with Vera, but not in this scene that I want to read for the radio.  I need to delete those sentences for the excerpt.  But I start to scan the pages and find a wealth of energy spent signifying on the characters and their back stories.  I don’t want to overwhelm the radio piece with introducing characters that don’t make an appearance in the allotted five minutes. 

To me, the story seems flat after editing, like the remaining characters are acting without responsibility to those who I redacted temporarily.  Actions in the scenes are not undertaken in front of community because I removed the names of people – brother, auntie, daughter, leader –  to whom the actors are responsible.

So I start thinking about how reading in pubic is different from reading in private.  A short piece is different than a novel that’s part of a series.  Adjustments are needed. 

Funny thing, though.

In 2005 I was teaching freshman how to write in complete sentences and asked students in one course to keep a journal.  Since they were required to, I also started a journal – three 3-page entries each week that were reflective and confessional.

Recently, I posted some of the short writing pieces from that effort on a new eblog titled Writing in the Short Form, intended for my current creative writing students (in September) who I will guide to write short fiction in their own voices. “Bare yourselves; dig down to the bone; throw away caution; expose the dark side for fear and jealousy.” Sound familiar?

I sent the few first posts to a friend who said, “Yes, the posts are too personal, and you should change all the players’ names.” 

I hate the idea. 

I know this feeling is only process frustration. The end-reader knows little about my lofty goals and my compromises. So I changed them, (Marty for Michael and like that). The re-naming effort takes all the hurt out of the paragraphs, like it’s somebody else’s story now.  Marty isn’t responsible like Michael was. Go figure.

What’s in a name? Designer names for our clothes; names of countries we want to visit; names of villains in Spiderman movies; the name for the pill needed to stop my skin from itching.  Names are everywhere, and if we cannot recall them, we cannot have the benefit of the fashion or geography or camaraderie or healing.

Sri Lanka was Sinhala in India, and Taprobane to the ancient Greeks. On a store-bought globe, the island country was identified as Ceylon until 1972.

You tell me.  Sample the short works on the eblog that my students will use. Do the names have power?  

 http://tinyurl.com/kbnfugl