Interview with Stella Atrium

Q: How is it going with the release of Book III in a fantasy series?

Atrium: StrikeStone just entered the pipeline for distribution the first week of July 2013, so sales can’t be tracked yet. We did a Goodreads giveaway for Book I -- titled SufferStone -- that got great response, though.

Q: What are the drawbacks to writing a series?

Atrium: Well, my stories are about the women, so there are fewer battle scenes and gory deaths. Characters include the fate of the set-aside wife, or a tribeswoman who maneuvers behind the scenes to promote her son as leader, or a businesswoman who courts the men while she ignores the talents of her niece.  The battles mostly take place over the hill while the women try to gather remnants to hold together a society.

Q: Sci-fi fans don’t like stories about women?

Atrium: That depends on where you look for fans.  Not to speak against Reddit, but I’ve had more luck with engaging fans on GoodReads and World Literary Cafe.  Also some readers don’t start with a fantasy series until at least three books are in print.

Q: Are more books planned for the Dolvia Saga?

Atrium: Book IV -- titled SignalStone -- is mostly written, but I’m polishing the last section to foreshadow Book V that’s just underway this summer.

Q: Does the reader need to read the first two books to understand events in StrikeStone?

Atrium: Thanks you for asking. Rabid Readers Reviews read an advanced copy claimed she understood StrikeStone just fine without the first two, but she wanted to go back, then, and pick them up to read. I hope other readers have a similar reaction.

Q: How many books in the series are planned altogether?

Atrium: Six is a good number. It’s important to complete some story threads for each book, but leave the reader wondering about what happened to other characters.

Q: How do you balance all those characters and keep them clear in your head? 

Atrium: Each character has her own quirks and way of seeing the world. Tribespeople on Dolvia have a tight community where each is needed to balance the harmony. I like to allow them to grow and see how each acts in a crisis or as an adult after some catastrophe. The characters are people to me, so I’m always returning to see what happens next.

The Middle Story of a Trilogy

by Stella Atrium
5/25/12
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Consider for our example The Lord of the Rings in movie form.  The Fellowship of the Ring got all the acclaim, and The Return of the King got all the awards.  But The Two Towers (with the walking trees and the assault on Isengard), um… not so much.

I’m aware of this odd pattern with the middle story carrying much the weight, but none of the praise. So for HeartStone: Book II of the Dolvia Saga, I went the extra mile to secure a Kirkus Review and also petitioned some friendly GoodReads reviewers to look over ARC versions of the story.

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The complete paragraphs provided by Kirkus Reviews are below, and one GoodReads reviewer said this:

“The plot of HeartStone revolves around several offworld characters, including Dr. Edna Edwina Greensboro, Lieutenant Michael Peter Shaw, and Dr. Henry Beecham, in addition to Dolviet tribal members, leaders, and outcasts.
      Readers will be reacquainted with old friends and like them try to determine who is truly the enemy of Dolvia, a new one or the same enemy with different tactics.  Either way, the tribal people of Dolvia are the pawns, along with those who choose not to see or act or those who are just naive.

         As an orphaned child of an offworlder and a Dolviet, Brianna Miller is condemned to be an outcast among the tribes.  Yet, she strives to better herself so that one day she may travel to Earth, the planet of her father's birth.  With the gifts that Dolvia has provided her, the generosity and teachings from the various characters, the pain that she endures, the compassion she feels for others, and the risks she takes, Brianna prepares for a future...a future she will choose for herself!

        You have a really great series going here.  I love your descriptive writing style!  I really can't wait to see what Brianna thinks of Earth and then what happens when she returns to Dolvia!”

-- Phoenix Carvelli
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KIRKUS REVIEWS

HeartStone: Book II of the Dolvia Saga
Atrium, Stella
$19.95 paperback, $6.99 e-book
ISBN: 978-1462070442; June 15, 2012

The second installment of Atrium’s Dolvia Saga is a character-driven sci-fi tale that explores profound—and timely—themes of sexual oppression, environmentalism and cultural intolerance.
      Atrium’s intricate novel ranges widely in theme—gender, politics, existential philosophy, mysticism, etc. Set primarily on the planet of Dolvia—where the females of the indigenous, frequently warring tribes of the savannah maintain few rights and are forced to wear burkas—the storyline revolves, at least initially, around Dr. Edna Edwina Greensboro, a bush-clinic doctor whose courage, compassion and vision have begun to change some of the insular ways of thinking.
       Getting married to Lt. Mike Shaw, an off-world military man, and keeping two female gualareps—oversized and sentient iguana-esque reptiles—increases her status. But when she witnesses a “mixed blood” girl being brutally abused, she realizes that she’s working against centuries of oppression reinforced by cultural mores, folklore, myth and cruel men dead set on guarding the status quo. After all, the victims “are only women.”
        The commentary on gender politics benefits from a foreign setting; it’s an exercise in considering discrimination without finger-pointing. But that’s only one aspect of this multifaceted story—as Greensboro fights to save lives and educate the tribespeople, nefarious individuals and companies seek to profit from the chaos.
        Aside from a few instances where the storyline becomes erratic—as with Greensboro’s marriage, for example—Atrium’s saga continues with another entertaining and powerful read, reminiscent of Octavia E. Butler and Margaret Atwood.
         An allegorical, emotionally intimate narrative for sci-fi fans, with broad themes that could appeal to a mainstream audience, too.

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HeartStone is “live” this holiday weekend.  Yeah!
As an incentive to get started with the series, we’re offering the ebook version of SufferStone: Book I of the Doliva Saga at the 55% discounted price of $3.09 on Amazon.com.  The offer is good through June 2012.


Sign up for GoodReads giveaway of softcover copies of SufferStone to celebrate the release of Book II.  Ten days only!

Fresh promotions start today!

Guest interview on website of International Best Selling Author Stacy Eaton.  


Guest blog post with fellow writer Emerald Barnes.

Upcoming interview with Hawaiian mystery writer Gail Baugniet.

Sign up for Giveaway of 20 copies 

 SufferStone: Book 1 of the Dolvia Saga

starts 3/5 through 3/26

By What Measure Success for Self-Publishers?

by Stella Atrium
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The first book of my fantasy series titled SUFFERSTONE received a couple 5-star reader reviews on GoodReads (reported on Amazon).  Since I blog about female characters in science fiction, I was gratified that one reader (thanks, Frank Hicks) identified with the lead male character Brian Miller.

So, I had brief and troubling feelings of success. I immediately wondered what was next, so vain.

Joseph Heller said in an interview with Playboy (many years back) that he delivered Catch-22 to the publishers in 1961 and received a $2,000 advance (today’s equivalent is $20,000), then went back to adjunct teaching with few expectations.

Catch-22 went viral by word-of-mouth and was made into a movie.  Over the decades, Heller was a cult personality and hippies wore khaki jackets with Yossarian emblazoned on the breast pocket. The term catch-22 became a concept in the American mythos for frustration with a system stacked against the regular guy.

I would call that success.

So… there’s a lag time for the creative stage, the publishing stage, the famous stage, and the American classic stage. The writer must measure what stage she’s currently experiencing and how long is the wait.

Andy Warhol once told Jean-Michel Basquiat that the audience for his street art wasn’t born yet.

Basquiat famously said, “I don't listen to what art critics say. I don't know anybody who needs a critic to find out what art is.” (Brainy Quotes) Of course, once he received some money for his work, he killed himself with drugs.  The starving artist stance has some benefits.

But, back to the writer. The creative stage counts.  Many writers once they start with promotions have the urge to push aside today’s work and return to the solitary gestures of creation.  Delicious.

I suppose the best approach is to tolerate each spike within each stage with patience, and manage expectations.

Art critic for Time magazine Robert Hughes in 2002 wrote a classic review titled "Goya’s Women" about an exhibition of paintings by Goya. As you know, as a young man, Francisco Goya was a portrait painter for the Spanish court in the 1780s. Later he was an impressionist who captured the horrors of war in his country.  Goya lived into his eighties and continued to paint and draw until his death in1828.

Robert Hughes pushes aside Goya’s long history with the leaders of Europe and focuses on the many images of women that Goya painted over the decades, and the artistic quality in those images.  The ART remains after the shouting subsides.

That’s success.

See Robert Hughes famous TIME article here.



  

Anticipating the January 2012 launch of SufferStone, Book 1 of the Dolvia Saga, author Stella Atrium sat down with Marc Roster, a Chicago radio personality from the public access channel.


Marc Roster: So, you have an interesting premise here; space travel and women living under the veil.

Stella Atrium: Over the decades, sci-fi fans have seen many cultures depicted in stories about offworld adventures. But I have not seen an alien culture where women struggle against the burka.

Marc: Are the female characters also Muslim?

Stella: Desert garb with flowing robes and headgear pre-dates the birth of Mohammad. In the story, the sisters of Arim live on a savannah with a long dry season.

Marc: But the story is meant to reflect issues of global women's rights?

Stella: The cultures for the four tribes are unique to the story with their own languages, along with standards of dress, local animals, gestures of power for the men.

Marc: Of the four sisters, Kyle Le is the youngest, but she's the leader?

Stella: Kyle Le is troubled with the gift of second sight, like flashes of insight for events in the near future. She's an orphan, and her sisters clings to the land her father owned. They have no status in community, only the service of her gift to a tribal leader.

Marc: So Kyle Le takes work at the mill where she meets the story's hero Brian Miller. They fall in love and live happily ever after?

Stella: Not likely. Brian Miller can only run the mill because he doesn't abuse native women. The differences between their cultures are too great.

Marc: In the story's plot, what is the purpose of the Brittany Mill?

Stella: The savannah on Dolvia has what we call a Third World economy. Corporations from Earth have come adventuring through the wormhole to take advantage of the mineral wealth and the cheap labor market. But the tribes are protective, and their women are mostly illiterate. Brittany Mill is where these disparate groups begin to mingle.

Marc: That premise sounds like what happens in many countries here on Earth.

Stella: The dichotomy is delicious. Inside the fantasy genre, I try to present women who need to solve real problems like having no voice in community, or no right to work; no access to capital to start a business. No reinforcement for talent.

My intent was to pry open the archetypes of alien women in sci-fi who are, shall we say, sexually available to the story's hero. You know the types — warrior, witch, street urchin, unavailable princess who sneaks around, armless mermaid. Let's present a few female characters who drive the story and solve problems using the tools at hand.

Marc: You mentioned unique animals. Any dragons?

Stella: (chuckle) No dragons; no fairies. One sister named Terry befriends a wild ketiwhelp, which is similar to an oversized fox. She's later martyred in prison and a tribal myth about her is told in chants.

Marc: So what are the elements of fantasy in the story?

Stella: The savannah is being settled, unevenly, by offworlders who seek fortunes by mining the mineral wealth. They have a network for supply lines through the worm hole to Earth, and introduce futuristic gadgets to indigenous cultures, changing the balance.

Marc: What kind of gadgets?

Stella: Brian Miller communicates offworld using an EAM, or extra atmosphere modem. He shows Kyle Le how to access the transport's library where they call up an image of Dolvia, a blue and green planet with atmosphere and clouds. Kyle Le is very impressed with seeing the whole face of Dolvia.

Marc: So, the story is about culture shock?

Stella: For several cultures, yes. The reader also meets indentured colonists and military personnel stationed on the orbiting transport. Some characters are from a nearby planet and compete for work with the corporations to get ahead. They even adopt English over their own languages and shorten their names for advancement.

Marc: You mean, like people changed their names when they came to America through Ellis Island?

Stella: Examples from our history are illustrative. The pressure to fit in is universal, such as Jews in Spain in the fourteenth century who pretended to practice Catholicism. Or tribal people in South Africa who lived under Western names. Power structures exist everywhere, and the people from the subservient culture use similar strategies to get by and put food on the table.

Marc: So, what's the story's outcome.? Do Kyle Le and Brian Miller hook up?

Stella: Kyle Le is promised for the warrior Cyrus, even though she doesn't like the idea. She's motivated to resist the future planned for her by others. That's why she's open to new ideas like working for wages, and traveling offworld with soldiers.

Marc: Well, we certainly look forward to reading reviews for this unique story. Our time is up now, but I enjoyed the talk.

Stella: Thank you.